Mixing techniques, media, and style. Here's some of my favourite work.
This is a collection of some of my favourite projects from 2023 to today — including a few of my earliest animations for nostalgia's sake. I hope you enjoy this glimpse into my passion for mixed media, heartfelt storytelling, and uplifting messages. Thanks for watching.
Created for London-based Clover Fox Films — a playful fox, a clover, a story about the founders told without a single word.
Animated in Blender Grease Pencil, I focused on a light, whimsical tone and studied fox movements to capture their energy. This project let me explore a smoother style while collaborating closely with the producers. It's the kind of work I genuinely love — the brief is someone's identity, and the outcome is to show it on screen.
A graffiti-covered public bathroom became an interactive gallery through augmented reality. We called it shART.
By blending AR technology with animations inspired by existing graffiti, we created a raw and immersive experience accessible to all. I also developed the project's Instagram account (@UALshART) to extend its reach. This is me thinking beyond the screen — because that's where audiences are going.
A 360° animation with 5.1 Atmos sound. A cold blue city, warm animated memories, and a meditation on what nostalgia actually feels like in a body.
This collaborative project explores memory, emotion, and environment through immersive storytelling. We created an abstract urban landscape where warm, animated memories gradually overtake a cold city. It's a hopeful vision of how our past and surroundings shape who we become — told in every direction at once.
I'm always willing to learn a new technique — especially if it serves the story.
Phonotropes. Embroidery. Moving images made from a needle and thread. Yes, really.
Fisherman's Cake is a collaborative film exploring the art of phonotropes through cellophane, paper, clay, and embroidery. I contributed the embroidered flower animation — integrating hand-stitched elements into a moving visual medium. It's the kind of project that demonstrates what happens when traditional craft techniques collide with innovative animation approaches.
This one started in a dream journal and ended as a mixed-media short blending 2D, 3D, rotoscoping, and stop-motion.
This creation invites you to witness a dynamic exploration of emotion and self-discovery — a visual narrative that transcends traditional boundaries, revealing the intersection of imagination and personal reflection.
Collaborate without losing the vision.
Hand-drawn, traditional techniques — the sound design was recorded in a single theatrical take using inanimate objects and our voices.
This film demonstrates both my technical skills and my dedication to meaningful collaboration. It's about bringing a unified vision to life.
I wanted to create a short animation that introduces my work — functioning as an opening credit — matching my style and brand. I chose to use Stop Motion Animation utilizing software such as Dragonframe and After Effects. I also experimented with found-audio tracks and glitch art styles.
Post Production is a collaborative pitch for an experimental animation workshop that celebrates the joy of process-driven creation. Conceived as a group project, the idea centers on bringing animators together to create a communal flipbook — each contributing hand-drawn frames in response to a shared prompt. By removing the digital screen and focusing on physical media, the workshop encourages intuitive expression, playful exploration, and a shared visual language that embraces diverse artistic voices. The pitch highlights animation not as a polished product, but as a social, sustainable, and expressive act of making.
Designed a logo loop for the 41st Evvys Awards stream, serving as an impactful pre-stream introduction. The shifting logo background captures the theme of making an impact, creating an engaging visual representation.
Crafted a standout logo for NBS's new multi-genre horror series launch. This graphic design project seamlessly integrates thematic elements within the font, capturing the essence of the show's diverse horror themes and its main setting: an eerie elevator.
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